Yidakiwuy Dhawu Miwatjngurunydja    

Yol\u Rom - Yothu-Yindi

Yothu-Yindi has many meanings, but generally translates as “child-mother,” and refers to relationships between people, clans, pieces of land, songs, or anything in the Yol\u universe. Yothu-Yindi pairs are of different moieties, just as children are the opposite moiety from their mothers.

Bitjan \^rra \aya \arru ganana ny^kuwaynha \arru dhambalan Yirritjali wapthun. Ga \ayam dju\gaya. |arru gulku \anapu dju\gayam. |aya \arru rakaram bitjan gam'. Dhupaliny dju\gaya Mandawuy ga Babadji \unhuku bala, ny^kuru \ayiwu. Ga \ayam dju\gaya wo Wi=iyana, waripu warra ga djinaku.

I will leave my own Dhuwa business and jump to the Yirritja. Because I am their dju\gaya. There are many dju\gaya. I will tell you this, those two, Mandawuy and Galarrwuy Yunupi\u (Gumatj clan - Yirritja), are dju\gaya for my land. And myself (G^lpu clan - Dhuwa), Witiyana Marika (Rirratji\u clan - Dhuwa) and others are dju\gaya for this land (Yirritja Gumatj clan land at Gulkula).

-Djalu' Gurruwiwi

Every person is responsible for learning and maintaining their own clan's business, but they also have an important role looking after their mother clan's business. The yothu is the caretaker or manager of his or her yindi's land, ceremonies, paintings, etc. In many Yol\u languages this caretaker is called dju\gaya. The dju\gaya is consulted about use of his or her mother's clan's land and resources, and must be satisfied with the performance of its ceremonies. Yothu-Yindi is an extremely important concept that maintains the practice of Yol\u culture, thanks to an ongoing system of checks and balances and cooperation between the two moieties.

This brings up an important point about types of yidaki that we will cover more in the next section. You can not always know that a Yirritja yidaki maker has made a Yirritja yidaki, just as you will not see only Yirritja people participating in Yirritja ceremony. It is in fact common to see a man playing yidaki for his mother's clan's ceremony. Yol\u of different moieties and clans work together and look after each other's knowledge and sacred items, yidaki included.

 

Witiyana Marika of the Rirratji\u clan (Dhuwa) painted up and dancing for his mother's Gumatj clan (Yirritja).

 

Yirryirr\u Ganambarr (D^=iwuy - Dhuwa) dances onstage in Japan for his Wangurri (Yirritja) mother's clan.

As an aside, you may know of the rock band Yothu Yindi, which over the years has included many Yol\u from the Miwatj in its membership. It seems that some non-Aboriginal didjeridu players began to play the instrument thanks to Yothu Yindi's influence. If you have wondered about the name of the group, it was chosen as, in addition to promoting an important concept of Yol\u life, it reflected the relationships of the original three Yol\u members of the band. The mother of the original yidaki player is an award winning artist from the Gumatj clan named Gulumbu Yunupi\u. Her brother is Mandawuy Yunupi\u, the lead singer of the band. Therefore, Mandawuy is the yidaki player's uncle and a member of his mother clan, and there is a Yothu-Yindi pairing in the band. Backing singer and dancer Witiyana Marika is the son of another of Mandawuy's sisters, so the same applies to him. In their early days, Yothu Yindi played and promoted yi[aki by Djalu' Gurruwiwi of the G^lpu clan - Mandawuy's mother's clan. Yothu-Yindi is everywhere.

Yol\u kinship goes much deeper than that. There are further important relationships, including that of M^ri-Gutharra, pertaining to a person's mother's mother's clan (same moiety), but that is beyond the scope of this website, and something for you to read up on later!


NEXT PAGE - YIDAKI AND THE MOIETIES

all material copyright 2006 Buku-Larr\gay Mulka Centre & the Yol\u individuals and clans concerned