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Playing the Didjeridu - Breathing What has been conspicuously missing so far is discussion of how and when to breathe. Most non-Yol\u didjeridu players learn “circular breathing,” the process of maintaining the drone with an alternation of normal blowing and stored air pressure in the mouth, by strongly using the cheeks as a bellows. In this way, you can play for a while, take a big breath, and then play for a while again, or with more development, these cheek squeezes can be smoothly integrated into rhythms. Yol\u do not do this the same way. The aim of most Yol\u players is to keep the cheeks in as much as possible, and avoid long cheek breaths. Instead the goal is lots of small breaths supported with and initiated by bursts of air from the belly. Pressure must be maintained in the cheeks to keep the drone going, but it is not a big, sudden cheek squeeze.
In the first written example of a simple yidaki rhythm (dith-dhu dhirrl dhirrl), try to pulse your belly at the beginning of each of the three fragments, and breathe in as a response on the dhirrl motions and bursts of air. It may be difficult at first, but it is
possible. After all, Yol\u have done it for thousands of years!
Try to watch and listen to Djalu' and Winiwini's
quick breaths. The video compression cut down the high frequencies
necessary to hear the sniffing of breath, but they are still audible,
particularly
on Winiwini's clip. Try listening with headphones.
Once a German visitor asked a well known Yol\u player how Yol\u children learn circular breathing, and got the response, “learn what?” The concept is not from Yol\u culture. You simply play yidaki with the right tongue techniques and learn the breathing naturally through practice. |
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NEXT PAGE - CONCLUSION AND EXAMPLES OF YOL|U PLAYERS |
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all material copyright 2006 Buku-Larr\gay Mulka Centre & the Yol\u individuals and clans concerned |
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